ANDRÉ DERAIN (Chatou, 1880-Garches, 1954) HYDE PARK (Fauvist - Lot 76

ANDRÉ DERAIN (Chatou, 1880-Garches, 1954) HYDE PARK (Fauvist period, I906). Lithograph after oil on canvas (69 x 99 cm, signed lower right). Edition Mourlot, Paris, circa 1970. On Arches paper. 50 x 65 cm (paper). EXHIBITIONS: The Thames, Reid and Lefèvre Gallery, London-1937-no. 3.-Les Fauves, Kunsthalle Bern-April-May 1950-no. 13 in the catalog.-Autour de 1900, Galerie Charpentier, Paris-June-September 1950-no. 69-Reproduced in the catalog.-Le Fauvisme, Musée National d'Art Moderne, Paris-June-October 1951-no. 43 in the catalog.Museum of Modern Art, New York -October 1952 to January 1953 -Mineapolis Institute of Arts -January-February 1953 -San Francisco Museum of Arts -March-April 1953 -Art Gallery of Toronto -April-May 1953 -Musée Granet, Aix-en-Provence -July-September 1954 - catalog no. 4 - reproduced in the catalog.Fifty important paintings by André Derain, Galerie Charpentier, Paris-May 1955-No. 6 in the catalogue-André Derain, Galerie Motte, Geneva-October-November 1955-No. I in the catalogue-reproduced in the catalogue-Europa 1907, Amsterdam Museum-July-September 1957-No. 22 in the catalogue-reproduced in the catalog.Triomphe de la Couleur, Musée de Tous les Saints, Schaffhausen - July-September 1959 - catalog no. 32 -De l'Impressionnisme à l'École de Paris, Musée de l'Athénée, Geneva - July-September 1960 - catalog no. 18 -Derain, Musée Cantini, Marseille - June-September 1964 - catalog no. 19André Derain, Galerie Hirschl et Adler, New York - October-November 1964 - Catalogue no. 8 - reproduced in the catalog - Forty paintings from a private collection, Galerie Knoedler, Paris - June-July 1965 - Catalogue no. 7 - reproduced in the catalog, plate V -Derain, Royal Scottish Academy, Edinburgh - August-September 1967 - Catalogue no. 25 - reproduced in the catalog, page 30 -The Royal Academy, London - September-November 1967 - Catalogue no. 25 - reproduced in the catalog, page 30 -L'Expressionnisme Européen, Haus der Kunst, Munich - March 6-May 12 1970 - Catalogue no. 30 - reproduced in the catalog -L'Expressionnisme Européen, Musée National d'Art Moderne, Paris - May 15-July 27 1970 - Catalogue no. 18 - reproduced in the catalog - Derain, Galerie Knodler, Paris - June-July 1965 - Catalogue no. 7 - reproduced in the catalogue, plate V - Derain, Galerie Knoedler, Paris - June-July 1965 - Catalogue no. 7 - reproduced in the catalogue, plate VDerain, Galerie Knodler, Paris - June-July 1971 - catalog no. 3 - reproduced on the cover.REPRODUCTIONS: In Les Fauves by Gaston Diehl-Éditions du Chêne, 1943 - plate 3.-In 1900-1940,Couleurs des Maitres, by Georges Besson - Éditions Braun et Cie, Mulhouse-Lyon - plate II.- In the newspaper Combat, September 13, 1954, on the occasion of the artist's death.- In Le Figaro Littéraire, September 12, 1954, on the occasion of the artist's death.Le Figaro Littéraire, April 30, 1955 - Le Fauvisme, by Joseph-Émile Muller - Éditions Hazan, Paris, 1956 - page 62 - Journa Arts, October 29-November 4, 1958 - page 16 - Swiss magazine Sie und Er, July 2, 1959 - no. 27, page 4.-In Badische Bodensee-Nachrichten, Saturday, July 2, 1959 - no. 156 -In Derain, by Denys Sutton, Phaidon Press Ltd, London, 1959 - no. 13 -In Derain, by Georges Hilaire, Cailler, Geneva, 1959 - plate 78, in colorIn the American magazine Art, November 1964, page 43 -In the American magazine Art News, November 1964, page 38 -In the magazine Réalités, July 1965 - no. 234, pages 42, 43 -Quoted and reproduced in The Illustrated London News, August 26, 1967, page 21 -In color in I Maestri del Colore, Fratelli Fabbri, Milan, 1969-no. 3, page 276.CITED: In the American magazine Art, November 1964,page 43- André Derain exhibition in New York-"...There were also the self-portrait of 1895-1899 so frequently presented, the Fauvist landscapes of London, Hyde Park and the House of Parliament, as well as the French landscapes of this well-known period of Derain's work...》-In the American magazine Art News, November 1964, page 67-Derain: Illusions and Disillusions-"...Two works in the present exhibition are characteristic of this period: Le Port de Collioure, 1905, with its free and open use of pointillist technique, and Hyde Park, 1906,painted in directly brilliant colors with expressive models reminiscent of Nabis...》-In the American magazine The Connoisseur, November 1964, page 206- Derain Retrospective - "... In addition to the renovated self-portrait, the exhibition includes such renowned Fauvist landscapes as Hyde Park and Big Ben...》-In La génération de 1900, Derain, by Michel Hoog-Encyclopédie de La Pléïade, tome IV, Paris 1969.-In Le Nouveau Journal, 19-6-1971,page I3,P'article by Raymond Charmet.